A resolution to the vexed problem whether a troubadour's love is erotic or spiritual is offered by Paolo Cherchi through a new reading of Andreas Capellanus' De Amore (written around 1186-1196). He suggests that Andreas, using a rhetorical strategy that creates ambiguity, condemns courtly love because its claim that passion generates virtue is untenable and deceitful.
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge.
In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire. Romantic love was thus born as a movement of covert resistance.
Examines dissent and the persecution of heretics, witches, Jews, lepers and homosexuals in the Middle Ages, and argues that the common motive for their punishment was sexual aberrance.
Sex: Vice and Love from Antiquity to Modernity examines the impact that sexual fantasies about the classical world have had on modern Western culture. Offers a wealth of information on sex in the Greek and Roman world. Correlates the study of classical sexuality with modern Western cultures. Identifies key influential themes in the evolution of erotic discourse from antiquity to modernity.